![]() ![]() I hope it's clear that tthat is what I recommend. Yes, "i t's better to effect a frame rate conversion before use the clip in timelines" without question at the source footage level - not via Interpert Footage. the original clip and the transcoded clip will always be the same duration), and frame rate conversions during transcodes are always done with the above described "rough" method of doubling or dropping frames. To my knowledge, Adobe transcoding tools do not effect speed changes when they convert from one frame rate to another (ie. "Īgain, I'm not sure what you're suggesting here but a frame for frame conform would require a speed change. confrom the 23.976 source to 24 or the 24 source to 23.976 by transcoding. In practice, you might not notice this on short clips, but if you're using long (or very long) clips and/or require frame accuracy throughout then it will be an issue and it's better to effect a frame rate conversion before use the clip in timelines. ![]() In the case of 24fps footage in a 23.976 timeline, for example, PPro will drop a frame every 41 2/3 seconds (every 1000th frame) as you would expect. As with all frame rate mismatches, PPro does the usual rough frame rate conversion by doubling or dropping frames as needed. If your intention was to say that you can use 24fps footage in a 23.976fps timeline (or vice versa) and PPro does a speed change on the fly, that is not true. Not sure what your intention was with this statement, but strictly speaking, you can intermix any frame rate footage with any framerate timeline in PPro. "you can intermix 23.976 source and 24 source in a Timeline running at 23.976 or 24 without needing to adjust the Interpert Footage settings." I think we'll be re-figuring Premiere color management with nearly every major update for awhile. Talking with staff here, there's several more changes coming through the pipe to us users over time. even proxies in Resolve are also only usable for whichever you want. ![]() Like most, I would really hope we'll get the ability to override that problem and be able to say just make the durn proxy.Īs far as color space. He also confirmed that Speed/Duration is the intended tool if proxies are to be used.Īnd yea, proxies are a pain in a number of ways. well, what any of us would hope for, being polite.īut as mentioned above in this thread, their Long Form & Episodic pdf does have the direction to not use Interpret Footage in proxy workflows.Īnd I just discussed this with a long-time dev, who will be checking about bringing the documentation more inline with anticipated usage on this. No question much of their documentation isn't. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |